Second Sight, out now

A fictionalised version of the life of serial killer Aileen Wuornos

A few years back, I wrote a study of serial killers from around the world, which included the case of Wuornos (I shall use the same formula here as I did in that book: the killer is mentioned by surname only). It was by no means the most shocking of the cases and unlike some, there were factors at play that certainly don’t excuse, but go a long way to explain how she became the monster she’s referred to in the title of Patty Jenkins’ film.

It’s important to note up front that this is not a “docudrama” in the mould of say, the David Tennant Des; the key character seen in Monster alongside Wuornos did not exist in real life, and is Jenkins’ invention, albeit playing an equivalent to Wuornos’ girlfriend Tyria Moore. That caveat aside, by not sensationalising Wuornos’ deeds, this is a far more truthful look at the aberrant psychology of the serial killer. Jenkins’ use of real locations, and other aspects of humdrum reality – washing in gas station bathrooms, for instance – bring us inside Wuornos’ world and help us to see how she ends up where she does. That’s immeasurably aided by an excellent central performance by Charlize Theron.

How that tone was achieved is explained mainly in the archival commentary included on this new Limited Edition release with Jenkins, actress/producer Theron and producer Clark Peterson, particularly from Theron’s contributions. The documentary Vision and Journey complements this well, and I would suggest watching it after listening to the commentary. The new interview with Jenkins is fascinating – if I ever do a new edition of the book, this provides some intriguing insights – in terms of the psychology at play in Wuornos’ head both during and after her crimes. The other interviews – new and archival – are interesting although not essential, a description that’s also apt for the deleted and extended scenes.

The limited edition also comes with art cards and a book of essays (not available for review).

Verdict: At a time when Hollywood’s idea of a serial killer was far more focused on Anthony Hopkins salivating at the thought of census taker’s liver, this was, and remains, an important contrast. At times a difficult watch, this Second Sight edition adds more depth with some strong extras. 9/10

Paul Simpson

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