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46 years after the original film, Mark Gatiss and Reece Shearsmith are fronting a new audio adaptation of 1970s horror classic Blood on Satan’s Claw.

Produced by Bafflegab Productions and adapted by horror writer Mark Morris, Blood on Satan’s Claw will also feature the star of the original film, Linda Hayden, alongside a stellar cast that includes Alice Lowe (Sightseers, Prevenge), John Heffernan (Ripper Street, Jonathan Strange and Mr Norrell), Ralph Ineson (The Witch, The Office) and Philip Hill-Pearson (Shameless, Good Cop).

Blood On Satan’s Claw sits alongside Witchfinder General and The Wicker Man as one of the three films which make up the sub-genre known as folk horror. In it, a village in 17th Century England is overcome by a Satanic plague, after a hideous skull is found in the furrows of a farmer’s field. The village youth fall quickly under the devil’s spell and retreat to the woodland to conduct games of sexual violence and sacrifice.

Scriptwriter Mark Morris explains: “I was first captivated by its unsettling, nightmarish atmosphere at the age of 12 or 13, since when it’s been one of my favourite horror films. I leaped at the chance, therefore, to adapt and expand the original screenplay for this new audio version, and from day one this has been a real labour of love. The calibre of the cast we’ve been able to attract to the project is phenomenal, and a testament to the film’s enduring impact. Blood on Satan’s Claw is back – and I’m incredibly proud, this time around, to have been a part of it.”

Mark Gatiss says: “I first saw Blood on Satan’s Claw in the Friday night horror slot on Tyne Tees television, when I was a kid. I remember it vividly because it scared the life out of me. It’s so distinctly different. The pitch for the film is so strange, and it’s very much in that folk horror tradition: dark, bucolic, earthy and genuinely disquieting. It’s a fabulous tale.”

Linda Hayden added: “It’s lovely working with Reece Shearsmith and Mark Gatiss, as they’re huge fans of the film. I’m really honoured. It was always a really atmospheric piece, and the script to this new audio really captures that.”

Some scenes were recorded this week, but Bafflegab need your help to finance the rest of the project! They’ll be starting a crowdfunding campaign next week, so keep an eye on Sci-Fi Bulletin or Bafflegab’s Facebook page for details on how to receive exclusive rewards by donating towards production costs.