Martin Jameson presents his annual lookback at the genre, but in a slightly different format from before:

J T Mollner’s twisty, dislocated horror-thriller asks deeply unfashionable and uncomfortable questions about consent, violence and femininity. There is absolutely no way that a script like this would see the light of day in the UK, and we are all the poorer for that.

Click here to discover which movies gained highest praise.

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