It’s the week of Damien Thorn’s 47th birthday and what better way to celebrate than with a pair of… lovely children?

There are no cheesy jump scares; the terrifying logic of Tin and Tina’s orthodoxy is unsettling enough. While Rubin Stein may have a satirical wink in his cinematic eye, he is asking serious questions.

Click here to read Martin Jameson’s full review 

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