The penultimate entry in Guillermo del Toro’s Cabinet of Curiosities evokes an unexpected nostalgia in Martin Jameson By the end we are left to ponder if this is a variant […]
The penultimate entry in Guillermo del Toro’s Cabinet of Curiosities evokes an unexpected nostalgia in Martin Jameson
By the end we are left to ponder if this is a variant on the ‘found footage’ genre, and that technology and storytelling – or even civilisation itself – has never progressed beyond this ‘straight to video’ iteration.
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