Creating the Evil
With Paramount+’s Evil now renewed for a fourth season, it seems time to catch up with one of its executive producers, SFB friend Rockne S. O’Bannon, who discusses the challenges […]
With Paramount+’s Evil now renewed for a fourth season, it seems time to catch up with one of its executive producers, SFB friend Rockne S. O’Bannon, who discusses the challenges […]
With Paramount+’s Evil now renewed for a fourth season, it seems time to catch up with one of its executive producers, SFB friend Rockne S. O’Bannon, who discusses the challenges of making the show
I think as you’ll see, as the current season three unfolds, it’s all a little more serialised. In the first two seasons, because the scripts were prepared and written for network, each episode had a very specific A story, their case of the week.
This season we still have a case our characters are on, but there’s also a new greater emphasis on the stories of the main characters as they relate to their personal brushes with evil. The latter part of this season, you’ll see even more of a shift in the emphasis from stories focused on outside characters to our regulars.
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