The Man Who Fell to Earth has Martin Jameson under its spell and as the penultimate episode arrives, the wild ride continues

A recurring theme of these weekly trips to Man-Who-Fell-To-Earth-land has been the switchback smorgasbord approach to style and tone. I wanted to pick a different theme this week, but now I’m convinced that in the corner of the writers’ room was a giant genre bingo card, and no one would be allowed a Danish Pastry until every cinematic, literary and dramatic genre had been checked off at least once.

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