There’s two distinct strands in Mike Flanagan’s Midnight Mass, but to Nick Joy’s mind, they’re not gelling yet Midnight Mass can’t decide whether it wants to be a worthy exploration […]
There’s two distinct strands in Mike Flanagan’s Midnight Mass, but to Nick Joy’s mind, they’re not gelling yet
Midnight Mass can’t decide whether it wants to be a worthy exploration of religion and mortality in a small community or a schlocky vampire shocker.
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