The new play from Danny Robins – of Battersea Poltergeist fame – is now playing in the West End. Focus has been on Lily Allen’s debut, but Claire Smith’s review digs deeper

The tension begins to build right from the opening scene, and I defy anyone not to shriek at least once at one of the many well-placed jump-scares in this thriller that is as much a dramatic treatise on the concepts of belief and logic as it is ghost story.

Click here to read her full review, and for our coverage of The Battersea Poltergeist, click here.

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