Arrow Films’ latest release, The Stylist, has an unique USP – but unfortunately doesn’t hold together that well. It’s a beautifully-lit movie, featuring gialli-reminiscent vibrant colours, with the murder scenes […]
Arrow Films’ latest release, The Stylist, has an unique USP – but unfortunately doesn’t hold together that well.
It’s a beautifully-lit movie, featuring gialli-reminiscent vibrant colours, with the murder scenes glowing in Dressed to Kill or Profondo Rosso gore. But the lack of credible motive and these ease in which Claire carries out her crimes is too much of an oversight to be ignored.
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