One of the best cues from a Bond film – and one of the best visual gags. It appears in Roger Moore’s debut as 007, Live And Let Die…

Moore’s Bond never quite feels like he’s taking anything seriously – there’s always a feeling that Moore is slyly winking to camera, letting us all know that yes, this is all absurd, and he’s aware of that absurdity, but that’s all rather part of the fun, isn’t it?

Click here to read Greg D Smith’s full analysis, and for the earlier films in this series, click here.

 

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